Showing posts with label Yeah Yeah Yeahs. Show all posts
Showing posts with label Yeah Yeah Yeahs. Show all posts

Monday, December 24, 2012

Year in Music 2012: Top 3's

It was born out of the need for a quick filler day, but that's how the very best traditions start. It's time for "Various Top 3's" day!


On with the random, pointless, straight off the top of my head lists.

Spotify, Grooveshark, and YouTube links when I can be arsed to edit them in.

Top 3 Albums I Loved Last Year But Didn't Really Care About This Year

3. Cults - Cults
I sort of saw this coming. As immediate and catchy as their music is, it doesn't necessarily lend itself to long term listening. I still like this CD, it just doesn't come to mind very often when I'm deciding what I want to listen to. 

2. Beastie Boys - Hot Sauce Committe, Part 2
When MCA passed away this year, I put on Paul's Boutique, Ill Communication, and Hello Nasty. This one is still solid, it just ends up in the shadow of some of their classics.

1. Sims - Bad Time Zoo
To be clear, I still like this CD. I just didn't listen to it this year. At all. 


Top 3 Albums I Missed Out on Last Year

3. Grouper & Ilyas Ahmed - Visitor
The entire EP is good, but the first song, "The Edges" is a singular sort of song. Almost post-rock in its execution (with some awesome echo-y guitars), but comprised almost entirely of some beautiful feminine vocals. The rest of Visitor seems to be made of of various different experiments - no two songs sound the same.


2. Noel Gallagher's High Flying Birds - s/t
To be fair, I had heard this at the very end of last year, and it almost made the final cut for albums of the year, but if I had given myself enough time to listen to it, it absolutely would've made it. Novak told me last year that it was his favorite. It might well have edged into the top 10 for me.


1. Deadbeat - Drawn & Quartered
More to come on exactly why this was, but suffice to say, the amount of ambient dub music I'd heard before this was minimal - the amount I liked was even less. Now I find myself needing to hunt down more. This CD would've made it into the top 5 last year, and the part in "First Quarter" where the super reverbed, tasty dubbed up guitars chime in would've probably been my favorite moment of 2011.

Top 3 Album Covers









3. Beach House - Bloom
The real beauty of this album cover (which is already visually striking) is that all of the lights are painted in glow in the dark ink. It makes for a cool effect, especially since this album is perfect for nighttime listening.
 






2. Swans - The Seer
My wife took one look at this cover and told me I wasn't allowed to play it around her.







 
 1. Jam City - Classical Curves
The music? Not my style at all. The artwork? Fantastic.















Top 3 Songs I Stopped Listening To After Burning Myself Out on Them Last Year

3. The Clash at Demonhead - Black Sheep (14th most listens last year, 3 plays this year)


2. Yeasayer - Madder Red (11th most listens last year, 2 plays this year)

1. The Pains of being Pure at Heart - Belong (9th most listens last year, 1 play this year)


Top 3 Listening Experiences This Year

3. Sitting in my comfy chair, listening to Clams Casino
Most of my favorite listening moments happen in my chair, cat nestled on my lap, listening to some new music as I slowly lose consciousness. This year was no exception, but if I had to pick one awesome chair listening album, it was Clams Casino.

2. Blasting Death Grips in my car after saving the Hospital Wireless network
Like a bawse.

Also, Death Grips is insane.

1. Sitting beside the Caribbean Sea, listening to Deadbeat.
 Ten minutes before Linds and I left on our Mexico vacation, I got the brilliant idea to load a little bit of new music onto the iPod. The third party tool I used to transfer music that wasn't already in my library was kind of crappy, and corrupted my iPod's database, save for the three album I put on. One of those albums was Silver Swans' Forever, which was distinctly 'meh'. One was Mind Spiders' Meltdown, which is awesome, and will be on lists for the rest of the week.

The last was Deadbeat's Drawn and Quartered, and upon first listen (on the airplane ride - twice!) it was sort of long, and not what I was in the mood for. Over the nest couple of days, I got more and more into it, before sitting beside the sea listening to it while sitting in the shade of a palm tree, and realizing that I could not have a better album for the experience I was having. It enhanced the experience, and the experience enhanced it.

It's going to be hard to top this one.



Top 3 Tracklist Decisions

3. The pacing on 'Allelujah, Don't Bend! Ascend!
After the super-epic pummel of 'Mladic' and 'We Drift Like Worried Fire' (each almost twenty minutes of build and eventual explosive release), the listener needs a break. The two "intermission" tracks don't stnad out that well on their own, but as breathers, their both required and great. As it turns out, 'breathers' is probably a bit of a misnomer, since both feature tension heightening dissonance and make it sound as if the record is out to murder you - also, each is longer than two average pop songs put together, so 'intermission' seems weird. It makes sense in context.

2. 'Ashtray Wasp'
Takes elements from the first two tracks and synthesizes them together to form one of the best album closers of the year.

1. 'Continuous Thunder'
The perfect comedown to one of the best albums of the year. To end with it wraps up Celebration Rock perfectly.

Bottom 3 Tracklist Decisions 

3. Lana Del Rey - The EP's worth
By placing the most well known (and, not coincidentally, the best) songs from her album as the leadoff tracks, it sort of highlights the fact that the last half of the album drops off a lot. At least it makes subsequent listens easier.


2. Sleigh Bells - 'True Shred Guitar'
This one wouldn't make sense as anything other than the first track, but it's a nearly completely useless intro. The actual meat of the song might have worked, but the weird (and weirdly censored?) live bit in the beginning is really stupid.

1. Mind Spiders - 'Meltdown'
This one makes no sense at all. Why on earthtake a album full of blistering snotty garage punk riffs, and place a weird, repetitive electronic ditty on the end of it? None of the elements in 'Meltdown' appear in the rest of the album, it just feels out of place and weird. I usually end up skipping it when I'm listening. At least 'Imagination Blind' was a decent song.

Top 3 Albums I Was Excited About last Year


3. The xx - coexist
I was excited about this one, but also fearful of a sophomore slump. That slump sort of happened, and coexist isn't as awesome as their self titled. Then again, the Hold Steady album that I considered putting in this spot never even happened, and we got a underwhelming solo record from Craig Finn, instead, so I'll consider this a win.

2. P.O.S. - We Don't Even Live Here
It took a while (three and a half years!) but he finally came out with his followup to Never Better. It was pretty good, but not as jaw-dropping as my favorite album of 2009 - but I'm sure we'll be hearing more about it later this week.We'll call this a win, too.



1. Sigur Rós - Valtari

This one was kind of a 'can't miss' proposition. I knew Sigur Rós was coming out with a new album. There were reports that it was going to sound more like the epic post-rock of Ágætis Byrjun and ( ), and less like the hyper pop offerings of Jónsi's solo stuff (not that I didn't love Go, too). The only surprise wasn't that I loved it, it's that everyone else didn't.

Top 3 Albums I'm Excited For Next Year

3. New Yeah Yeah Yeahs Album
Supposed to be out Spring 2013? If nothing else, I'm excited to see what it'll sound like. Their last two releases (Is Is and It's Blitz) were both fantastic, but sounded nothing alike.

2. New Arcade Fire Album
How are they going to top a beloved classic, an underrated masterpiece, and a Grammy "Album of the Year" winner? The answer is probably that they won't, but it'll be fascinating to watch them try.


1. Atoms For Peace - Amok
Thom Yorke, Flea, the drummer from R.E.M. (who doesn't get quite the same level of name recognition from me), along with Nigel Goodrich? How could this not be awesome?

I mean, please tell me that it'll be awesome.

It'll be awesome, right?

Thursday, December 31, 2009

Top 20 Albums of 2009

Presented without comment. Number one is number one by a mile. Most of the rest of the list has a certain level of interchangability. What this list does have in common, though, is that each of these albums has been greatly enjoyed over the course of the year. I heard a lot of music this year (probably upwards of 150 or so albums), and this is the stuff that grabbed me more than any of the rest.

Tomorrow, I'll post the list of songs that I listened to most in the year 2009, and on the 2nd or 3rd, I'll post a list of other notable music that I listened to over the course of the year.

20. Grizzly Bear
Veckatimest








19. Black Joe Lewis and the Honeybears
Tell 'Em What Your Name Is!








18. Florence and the Machine
Lungs








17. Metric
Fantasies








16. Matt & Kim
Grand








15. Memory Tapes
Seek Magic








14. The Decemberists
The Hazards of Love








13. Mastodon
Crack the Skye








12. Viva Voce
Rose City








11. DOOM
Born Like This








10. Hollerado
Record in a Bag








9. Future of the Left
Travels With Myself and Another








8. Fuck Buttons
Tarot Sport








7. The xx
XX








6. Phoenix
Wolfgang Amadeus Phoenix








5. Animal Collective
Merriweather Post Pavilion








4. ...And You Will Know Us By the Trail of Dead
Century of Self








3. Dinosaur Jr.
Farm








2. Yeah Yeah Yeahs
It's Blitz!










1. P.O.S.
Never Better

Wednesday, December 30, 2009

Top 20 Songs of 2009

So, I decided to put album art in along with my favorite songs of the year. Hopefully it looks semi-decent. Since the bastards killed iMeem, I'm embedding the lala player to let you all have a listen (which I encourage you to do). You can only listen once, though... so the search continues for a good internet streaming site.

20. The Big Pink
"Velvet"
A Brief History of Love




A Brief History of Love, indeed. The Big Pink seem to flirt with the idea of 'love' throughout the album, but the sentiment only really pokes through on "Velvet". It's a very brief look back (before dismissing the notion entirely). The track itself is the perfect distilling of the band's sound - hypnotic and big. The fuzzy guitars and bass envelop the listener as we watch the world's shortest romance unfold. As long as you can't bring yourself to put in the effort to make it work, this may as well be your soundtrack.

19. Wavves
Cool Jumper


Download MP3








I was more than content to lump Wavves in with the overhyped lo-fi ‘shitgaze’ movement and move on - I still am, actually. Nothing on Wavvves did anything for me (it was, in fact, one of my least enjoyable listening experiences of the year, and it’s a testament to how overhyped this album was that I even finished the full thing). Then he had to drop this. Where Wavvves mostly just tried to sound as bored as possible, ‘Cool Jumper’ pulses, lurches and pounds – synths stab and blast the ears as Nathan Williams sort of half-shouts a bunch of stuff that doesn’t really have any connection with reality, but sounds really awesome none the less. Six minutes blur together, and by the time it’s over, you end up wishing that he’d have just one more go at the hook. I quite literally destroyed my car’s rear speakers using this song – and, hey, the rattling buzz of a blown speaker makes this song sound even better. Cool.



18. DOOM
"Ballskin"
Born Like This




90% of the time DOOM's lyrics verge on world salad, but "turn a man into a mannequin for aflacin" is a lyric that spent more time wedged in my head than almost any other. (Under) two minutes of vintage Doom.

17. The Decemberists
"The Rake's Song"
The Hazards of Love




A good story needs a villain, and if there's one thing the Decemberists know, it's how to make loathsome villains. It shouldn't be any surprise that they gave the villain the best, most catchy song on The Hazards of Love. What is sort of surprising is how fun a song about a homicidal baby killer ends up being. The Rake as a character should probably be one of the more hated characters in fiction. Instead, you end up as a willing accomplice after the fact - all right, indeed.

16. The Gregory Brothers
Autotune the News #5

YouTube








Autotune the News is a novel concept. Some fine folk take out-of-context video of talking heads jabbering about current events, run them through autotune, and make sweet sweet music out of the whole thing. What could be mere novelty, however, becomes bona-fide good music due to the effort level of all involved. My favorite tune is number 5, where news reports on American exceptionalism, reporter confusion, and smoking lettuce are transformed into a banger. The craziest part about the whole song is how it fits together. From Joe Biden singing “God Bless America” (in space, no less), to Rep. Steve Buyer’s passionate cries that “it’s not the nicotine that kills, it’s the smoke”, it all feels like it was meant to go together.

15. Dinosaur Jr.
"I Don't Wanna Go There
"
Farm




Not much to be said other than that this one rocks shit out. How on earth was this not the last song on the CD? 'Imagination Blind' is a great song, too, but let's not kid ourselves. In a perfect world, 'Imagination Blind' is the 11th song on Farm, with the ferocious guitars in "I Don't Wanna Go There" closing out the CD the way it was meant to. What were they thinking?

14. Florence and the Machine
"Drumming Song
"
Lungs




I summed it up yesterday: Florence Welch + pounding drums = kickass song.

13. Animal Collective
"My Girls
"
Merriweather Post Pavilion




What exactly is there to say about this song that a hundred other people haven't already said?

How about "OOOOoooooohh!!"

12. Metric
"Gimme Sympathy
"
Fantasies




If there's any justice in the world, this will replace "Anthems of a 17 Year Old Girl" as Emily Haines' defining moment.

Now then, since there's almost certainly no such justice in the world, Metric will have to be content with the knowledge that this is the best song they've ever made, and probably ever will make.

11. Dan Deacon
"Build Voice
"
Bromst




Usually, Dan Deacon grates on me with his weirdness. I'm not really used to having a song where a sample using the classic Woody Woodpecker laugh is the least insane thing going on. On "Build Voice", though, Deacon puts together a (for him) fairly straightforward song. True to its title, the song builds upon a simple vocal. "Hello, my ghost, I'm here, I'm home". It doesn't really make a whole lot of sense, but it doesn't have to. By the time the voice goes soaring toward the end (mentioned yesterday in my top 20 moments of '09 post), the whole thing explodes into a tornado of pianos, trumpets, rapid-fire snares, and synthesizers - all somehow kept in check by the surprisingly strong voiced Deacon. I would love to see an album built around controlled insanity like this, much as that might crush longtime fans of his.


10. Grizzly Bear
"Two Weeks"

Veckatimest

YouTube







The live version of "While You Wait For the Others" was my number one song last year, while "Two Weeks" left me, if not exactly cold, sort of indifferent. When Veckatimest came out, the roles were reversed. The studio version of "While You Wait..." is good, but doesn't quite hit the same heights that the live recording did (much as I hate to be "that guy"). "Two Weeks", on the other hand, is completely brilliant. From the opening plonked out piano, to the "ah-ah-ah-AH-ah..." to the chorus, the song deserves every good thing that's been said about it.

9. Animal Collective
"Summertime Clothes
"
Merriweather Post Pavilion




Sure, "My Girls" got all the love, and it deserves all of that love. It's a great song - it's just that this one's better. It's got a bouncier rhythm, it got a (for me, anyway) catchier, more energetic chorus. My wife didn't run screaming from the room when I played it. You see? Advantages. Besides, it's just nice to hear a sentiment like "I want to walk around with you". Who doesn't love that idea?

8. The Hold Steady
"Atlantic City
"
War Child Presents: Heroes




Bruce Springsteen is generally not my cup of tea, but his followers (The Gaslight Anthem, Neon Bible-era Arcade Fire, the Hold Steady, etc.) certainly are. I was passingly familiar of the original 'Atlantic City' when I was made aware of the Hold Steady's cover. One listen was all I needed to completely love it. It's the saxophones, of course. They give the song even more urgency. Some have complained the the band is missing the point, and that could certainly be true. I don't pretend to know much about the potency of the original. What I do know is that Craig Finn has his own take on a classic without completely rebuilding or sounding like a copycat while at the same time putting out a song that a person can fall in love with on its own merits.

7. Phoenix
"1901
"
Wolfgang Amadeus Phoenix




Insanely catchy beat? Check. Shoutable hook? Check. Perfect running time? Double check. The song doesn't waste a single second. Verse/Chorus/Verse/Chorus/outro - the guys have the listener by the ears the entire time, and damned if they don't know it. This is about as perfect as pop music got in 2009.

6. P.O.S.
"Goodbye
"
Never Better




I technically heard this at the very end of last year. It seemed to mark a shift for P.O.S. toward more mainstream driven music. This, as it turns out, is really the only one of its kind on the CD, offering a brief glimpse into the kind of music he could be making. Even then, he's staying on the fringe. "Don't let them tell you what you think is cool". In a perfect world, this song would've been all over the place... then again, what would this guy write about in a perfect world?

5. ...And You Will Know Us By the Trail of Dead
"Isis Unveiled
"
The Century of Self




This song is the perfect synthesis between the newer more polished, ‘epic’ Trail of Dead and the older, more ragged guitar squalls that made everyone fall in love with them in the first place. Sure, the “we’ll pardon all of them” segment goes on a little long, but that part is awesome. The beginning bass line breaking into the driving guitar riff is chill inducing. If this is the direction Trail of Dead continue toward in the future, then So Divided was more than worth it.

4. Fuck Buttons
"Surf Solar
"
Tarot Sport




This is a HUGE song. Well, of course it is – I mean, it’s ten and a half minutes long – but that’s not what I mean. One sample, 8 seconds long, repeated 54 times sounds like the height of overblown monotony, but it’s the way the wall of sound engulfs the whole thing, swelling and growing in fury (but also in beauty) until it can’t possibly squeeze any more raw power in, and then gently receding. Given the wrong mood, this track is merely one of the best songs of the year. Given the right mood, you could swear this beast was alive.


3. P.O.S.
"Low Light Low Life
"
Never Better




On any given day, I waver over who's carrying this song to the ridiculous heights it achieves. Sims' and Dessa have never sounded better, Stef's verse is awesome, even Cecil Otter's little callout at the end of the main hook is killer. The whole thing is a full group affair and works to each artist's strengths. Of all the songs P.O.S. has ever done, this is the one that sticks with me - this is the one I was waiting for at the Doomtree Blowout (and it did not disappoint). Let's give them all a win on this one.

2. Dinosaur Jr.
"Pieces"
Farm




This was, sadly, my first experience with Dinosaur Jr. I'd heard of them, but had never taken the time to go out and find any of their older stuff. After about a minute of "Pieces", I was hunting down everything I could find from them. This song (and indeed, the rest of the album, but we'll get to that tomorrow), is just about everything I want in a rock song - buoyantly crunchy guitar melody, great earnest vocals, and it doesn't let up, not even for a second. I love the rest of Farm, and I've found a lot to love about Dinosaur Jr.'s back catalog, but this is still my favorite. Then again, this has quickly climbed to one of the my favorite songs, period.

1. Yeah Yeah Yeahs
"Heads Will Roll
"
It's Blitz!




I first heard "Heads Will Roll" way back in February, at a very low volume, on my work computer's crappy speaker. Even then, I loved this song enough to jot down this simple thought about it: "I've been looking for a song to feel exactly this way about for months now."

That still sums up my thoughts on it pretty well.